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Audréanne Filion is a Montreal-based cellist, multi-instrumentalist, composer, and improviser. Mainly working in the field of creation, contemporary and experimental music, she has premiered numerous works by fellow Canadian new music composers, including pieces by Sarah Davachi, Takuto Fukuda, Keiko Devaux, Geneviève Ackerman, Jean Décarie, Simon Martin, Mike Maevsky, Yulin Yan, and many others. She is a member of Ensemble Tesse, Ensemble Éclat, Quatuor Mémoire, the Filion/Bourgault duo and Ensemble SuperMusique, and freelances with other chamber ensembles such as Projections Libérantes, No Hay Banda, and Novarumori. She also pursues a solo project combining electroacoustic composition and cello improvisation, exploring the hybridization of styles—instrumental and electronic, ambient and noise, classical and experimental. She’s interested in topics such as information emptiness/saturation, as well as aesthetic duality, exploring the contradictory impulses of seeking beauty and longing for destruction. Her music has been featured at Soundwich, Totem Électrique XV, Interzone Editions, at SAT for the EAF serie, the 6th edition of ViU concert, Midfield 02, Codes d’accès Masse 2022 concert and the Jardins de Métis in Rimouski in 2022. Active in the experimental pop scene, Audréanne performs with various groups, including Everly Lux and Xela Edna, and frequently plays with electronic musicians such as YlangYlang, Jessica Moss, Kid Koala, Erika Angell and Myriam Bleau. Her musical endeavors have taken her to Canada, the United States, the United Arab Emirates, France, and Germany.
