Musical works

In 2022, I first wrote SPINNING, TOUCHED, UNDREAMT- SNOW; as an exploration of distorted core memories of the self through broken hyper-collages. The piece highlights individual voices from the quartet through large physical gestures alongside buzzing modular synth snippets. In this revisitation of the work, I aim to look into the fatigue, the pulse and the pulling forces through even smaller multiplicities, extending the electronics as both an individual force and the ghosts of the instruments on stage.