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Gilles Lapointe is a full-time professor at Université du Québec à Montréal History of Art Department. His work reflects theorical issues related to Quebec’s artistic modernity in an interdisciplinary perspective. His current research projects include an intellectual biography of the multidisciplinary artist Edmund Alleyn and a study of aesthetic and intertextual relations between Réjean Ducharme and Arthur Rimbaud. He is the author of L’Envol des signes. Borduas et ses Lettres (1996) and La Comète automatiste (2008).