Concerts par articles
Liza Lim’s music focusses on collaborative and transcultural practices. Ideas of beauty, ecological connection and ritual transformation are ongoing concerns in her compositional work. Her four operas: The Oresteia (1993), Moon Spirit Feasting (2000), The Navigator (2007) and Tree of Codes (2016), and the major ensemble work Extinction Events and Dawn Chorus (2018) explore themes of desire, memory, and the uncanny. Widely commissioned by some of the world’s pre-eminent orchestras and ensembles, Lim is Sculthorpe Chair of Australian Music at the Sydney Conservatorium of Music and is a Fellow of the Wissenschaftskolleg zu Berlin in 2021-22. Her music is published by Casa Ricordi Berlin.
