Monday, June 11, 20128:00 pm
- Innovarumori (François Gagné, clarinette basse; David Martin, trompette basse; Felix Del Tredici, trombone basse; Julie Houle, tuba; Isaiah Ceccarelli, percussions; Malcolm Sailor, piano; Vergil Sharkya’; électroniques; Jennifer Thiessen, altos; John Corban, altos; Émilie Girard-Charest, violoncelles; Pierre-Alain Bouvrette, violoncelles; Octavie Dostaler-Lalonde, violoncelles; Jean-Christophe Lizotte, violoncelles; Joel Kerr, contrebasse)
- Isak Goldschneider, conductor
- Orchestre Filmharmonique (Richard White, guitare; Jace Lasek, guitare; Joshua Zubot, violon; John Corban, violon; Thierry Amar, contrebasse; Jonah Fortune, contrebasse; Jason Sharp, saxophones; Keiko Devaux, piano; William Hesselink, percussions)
- William Hesselink, conductor
Music by for ´s film Nosferatu the Vampyre (1979)
Innovarumori performs The Sinking of the Titanic
Composed in 1969 by Gavin Bryars, The Sinking of the Titanic is a performative soundscape recreating reports of a band which played a hymn tune in the final moments of the ship’s sinking. The Titanic sank in her maiden voyage on April 15, 1912. 1,517 lives were lost — one of the deadliest disasters in naval history. In Bryar’ vision, the band continues to play as the ship sinks to the bottom of the sea, creating a moving tribute to human efforts ultimately conquered by the vastness and complexity of nature. A milestone which sounds as fresh and provocative to day as when it was originally composed, The Sinking of the Titanic will be performed by Innovarumori, the in-house ensemble of concert series “Innovations en concert”.
Orchestre Filmharmonique performs Werner Herzog and Popol Vuh’s Nosferatu the Vampyre
Werner Herzog + Klaus Kinski + Popol Vuh. The incendiary relationship between Herzog and Kinski is the stuff of film mythology and with german Kraut-rock band Popol Vuh’s Florian Fricke, the trio produced a string of cult legends in Aguirre, the Wrath of God; Fitzcarraldo; Cobra Verde and 1979’s Nosferatu the Vampyre. Kinski always approached his characters with staggering intensity and originality, and in Nosferatu Count Dracula is portrayed almost sympathetically, as one resigned to the reality of being evil incarnate. Popol Vuh’s score, and companion recording, is remarkably restrained and minimalistic, full of mantras and haunting melody. Last year William Hesselink’s loyal Filmharmonic Orchestra submerged themselves in the world of Bernard Herrmann through Hitchcock’s Vertigo. This year will be a smaller ensemble, again made of mainstays from Montréal’s improv community and will include members of the Besnard Lakes, A Silver Mt Zion and Land of Kush. It will also reunite Hesselink with People for Audio bandmate Keiko Devaux.